The AC15CC 15-watt Class A tube combo is the next incarnation of the 1958 classic that guitarists have loved for years.

The AC15 Custom Classic (which is made in China) comes equipped with a few modern features and conveniences that its ancestor didn't have. Controls include Master volume, Treble and Bass controls and Tremolo with fully variable Speed and Depth, and features spring reverb. Tremolo and Reverb are footswitchable with the included footswitch.

It sports 2 EL84's and 2 12AX7's, and has a silicon rectifier. The speaker impedance can be switched between 8 or 16 Ohms so you can connect it to external cabinets oif your choice.. The AC15CC is available with either a Celestion AlNiCo Blue Speaker (AC15CC1X) if you fork out a couple hundred extra dollars, or is available with a VOX designed Custom speaker (AC15CC1). Its up to you.

This amp is fairly quiet. I've noticed slight hum in most or almost all of the lower end tube combos like Blues Junior, Epi Valve Junior. I was glad to not see that here with the Vox AC15.

The controls are self-explanatory. One thing I noticed is the eq section interacts a great deal with itself, and with the gain section. (most amps behaved like this back in the day anyway). It means you need to really explore the settings and protential to tweak, not just put everything at 12 o clock and settle for what you get. But getting a good sound from the start is easy.

The AC15 is all about earthy classic British tube tone. It behaves much like you'd expect from a small tube combo. It breaks up without having to shatter your windows and gives you a nice clean overdrive. This amp is very responsive to picking attack. It LOVES single-coil pickups, so break out the LP Junior with P-90's and Telecaster. Its like jangly classic rock heaven. Sadly, I don't play single-coils at all hardly. But it loves my Ibanez Ghostrider with Gibson P.A.F. humbuckers, it brought out a lot of brightness and gave me a nice raucous bark of a rhythm tone, and some stinging bluesy leads.

This amp has crazy, glassy high transients. It has brightness for days and can bring out the tinkly highs from even the darkest guitar (like an old Fernandes w/humbuckers that I have) with the treble dimed, without being harsh at all.

What this amp does not do is 5150 or bogner like high gain, which.... I would hope you weren't expecting. With a pedal thrown in front I'm sure you'd be happy with the high gain sounds you could coax this amp into, then maybe you'd get some versatility from this amp. In and of itself, its a pretty distictive sounding amp so you have to like that "vox sound" to really appreciate this amp.

A word here about the speaker: If you play it in the store and it sounds a bit "brittle" to your ears, you are not alone. But after a good amount of playing (a few weeks or so) you will significantly break in the vox speaker and it sweetens up for you. The more I played this amp, the better it sounded.

- What type of amplification (Tube,transistor,...)?
Analogue, tube.

- How much power is delivered?
60 Watts RMS, through 2 x Celestion 12" speakers.

- What connection types are there?
Input on the front. 2 loops on the back: parallel & serial. Direct out, speaker out for an optional cabinet (i have the 4 x 10".

- What are the setting controls, effects?...
Clean channel & distortion channel, operated by provided 1 button footswitch or button on front panel.
Each channel has gain, volume, 3 band EQ and reverb.
Master volume is common to both. Effects mix knob for parallel FX loop.
Presence knob on the back.

Weighs about 24 kg so beware it WILL rip your arm out of its socket.
Also, beware this is so loud that it will rattle the handle off if played loud enough long enough...well, it might. It did on mine, and i only recorded one song with it on 10/10.

- Is the general configuration/setup simple?
Yes.

- Can you easily get a good sound?
Yes. The EQ is not very powerful so it's actually easier to get a good sound than on a model with a more powerful EQ, cos you can't quite so wrong. ;-)
The reverb is nice.

- Is the manual clear and sufficient?...
To do make manuals for amps?

- Does it suit your style of music?
I'm not into metal, so yeah. You can get pretty much anything out of this except extremely clean or extremely wild. Some nice jazzy sounds, and great on rick with the distortion on 5 or 7.
This sounds British & 70's i think.

- With what guitar(s)/bass(es) or effect(s) do you use it?
Godin LGX, sometimes with Ibanez Tube King compressor or distortion.
The compressor alone is enough to boost this real well and you can get some impressive sustain for those Gary Moore solos...

- What kind of sound do you get out of it and with what settings ("clear", "heavy",....)?
Depending on the guitar settings & amp settings, you can get close to electro-acoustic or jazzy or dirty on the clean channel, and anything from crunch to good old rock on the other channel.

- What are your favorite sounds and/or the ones you hate?
Don't hate any sounds on this! Most of the time it's quite good, really. It's not high-class, but one would expect worse given the fact it is nothing more than a cheap tube amp.

This amp is solid state all the way. Not sure of the wattage, but I would say, judging from the volume, that it is about 30-40 watts. This amp has two channels, drive and clean. The drive channel has gain, shape and volume controls. The clean channel has master volume, treble, bass, and mid knobs. It also has a reverb knob that controls both channels. There is a manual channel switching switch if you don't have a foot-switch, which I don't. There are rate and depth knobs for chorus as well as a manual switch to engage it. Finally, there is a speaker out, headphone out, as well as foot-switch input.

This is your standard combo amp. The setup/configuration is simple enough that you don't need a manual in my opinion. I bought this thing used, so I don't have one anyway. Though I am not sure about the wattage, the amp is sufficient for rehearsals and even from small venues. It can also drive a 4ohm cab fairly nicely ! You have to tweak the amp a little bit because of the mediocre tones that come from it (see next section.) But pedals can help.

I bought this amp to rehearse and play on stage that upcoming Sunday because it was cheaper to buy it than rent an amp for a weekend. It does the job and has done so for more than a year. It's just that I've since bought better amps, so she might get sold soon. Both the stock clean and distortion channels are OK. The clean is passable, but the less than exemplary built-in chorus effect does not improve the tone any. The distortion is also passable. Kind of boxy sounding, but some people like that. I think it has it's place. The good news for me is that the distortion with gain all the way has enough sustain that I can keep up with our other guitarist and his much more expensive Fender Hot Rod Deville when we do "call and answer" solos. I play through a beginner Ibanez and many pedals, including a Zoom multi-effect. If I put the Zoom on the Fender Twin setting through the clean channel of this amp, you can close your eyes and think you have a Twin right beside you! That's a pretty good thing. The amp takes pedal distortion OK as well, especially put through a 4 speaker cabinet....you've got a stage ready rig for not much dough !

This is the classic tube amp of the ages. I am not sure of the wattage on this model. However, from the volume, I am pretty sure it is at least 60-80 watts per channel, of which this amp has two. With the clean or overdrive channel volume at 2, this amp is already plenty loud enough.
There are two sets of stereo inputs. One set of two is for switching channel mode. And this amp came with the channel switching foot-switch included, which is great. The other set of two is for parallel channel mode. It defaults to the clean channel, and you can pull the volume knob of the distortion channel to switch to it. I guess this is useful if you don't have a foot-switch. On the back there is a foot-switch output, effects loop (preamp out and power amp in), power amp thru output, two extension speaker outputs, one for series and one for parallel. There is also an impedance selector which allows you to select between 4,8 and 16 ohms, which is very cool and makes the amp very versatile. On the front, the clean channel has knobs for volume, treble with boost (by pulling the knob), mid and bass. The distortion channel has gain, treble with boost, mid with boost, and base with boost. It also has a wonderful presence knob and a volume knob. (The one that can be pulled out to select the distortion channel.) Finally, there is a reverb knob that controls both channels.

This amp was bought used, so there is no manual. The general configuration, in my opinion is self explanatory as long as you play with the knobs and inputs long enough. This thing is known for the tone that comes out of it, and it has a wide array of wonderful sounds that I keep discovering from additional use! With this being a vintage tube amp and being considered a vintage "red knob" model, I try not to use this as much. Just power it up from time to time to keep the tubes working or if I need it to impress at an audition. I also plan on using it more primarily for recording. If I am playing stadiums, I guess I can afford to play with this loud, tone-full baby on stage more often to get more volume and that wonderful tube sound!

This is considered a blues/jazz amp, styles which I incorporate into my playing. It is not really a heavy metal amp, but it takes pedals pretty well. However, I frankly don't remember the distortion channel being that good when I first played this amp in the nineties. But I played it recently, and I don't know if it aged gracefully, but I'll put that 2nd channel against many high gain amps today. With the gain at lower levels, you get a nice tube overdrive from this beauty. Set the gain on 10, and you have a great 70's or 80's heavy metal tone, in my opinion. To get thrash metal, death metal, or nu-metal, you will need a pedal. But like I said, this amp takes pedals well. I put a digitech death metal pedal through the clean channel, and it went from pristine heaven to absolute palm muting hell ! Speaking of the clean channel, I agree with many that it is the best in the business. I've played "boutique" amps that cost 3 times more, and their clean sound didn't sound any better. This baby has always been known and liked by me for it's beautiful "glassy" clean sound. It's got the right amount of shimmer and a wonderful thumping low end bass range. I love it, and there's probably nothing about this amp I hate, as far as tones!

150 watts. (Not conservative at all, trust me.) Open back 1x12 with stock “blue” Fender speaker . This is a “red knob” model so my understanding is that it’s considered vintage. Two channels – Clean and Overdrive/Distortion with a “boost option”. Clean has Volume, Treble, Mid, Bass and Mid-cut switch. Overdrive/distortion has Gain, Boost, Treble, Mid, Mid-Boost switch, Bass, Contour with “tilt” switch, presence. The amp also has a master volume and reverb. Two inputs, one for channel switching, one for parallel channel mode. The amp also has switches for channel switching, or you can plug into the footswitch jack (which was included) to switch between channel 1 and 2 as well as to select reverb and/or the boost function. Effects loop and speaker out jack on the back panel of the amp as well.

The controls on the front are many, but it's fairly straightforward, especially if you are familiar with Fender amps. The "presence" and "mid-cut" controls are particularly useful. The only drawback is that I don't understand the purpose of the "tilt" control. I usually put the treble on 9 or 10, the mid on 0 and the bass anywhere from 2 to 9, and get great clean sounds, or great distorted sounds with a pedal. The amp is fairly heavy. As with all Fender amps, this is built like a tank. You could probably drop it from a skyscraper and it would keep on ticking. I did have to get the rear input jacks fixed for $20 about 3 days after receiving the amp from Guitar Center. But hey, it was used.

This thing is LOUD ! I don’t think 150 watts is an overstatement ! If you go anymore than 1, you’ve got band-mates and sound engineers sneering at you! Also great for out-competing your annoying rhythm guitarist in the volume department! Clean channel is the typical “glassy” Fender clean that many of us have come to love. The treble can be a little harsh, but hey, it’s a solid state! Overdrive channel is OK, but no one usually gets a Fender for the overdrive/distortion. (See my comments under “overall rating.”) I use the “boost” function on the distortion channel via foot-switch as it provides a great volume boost for solos !

VHT 50/12.. 50 Class A/AB watt tube combo, Graphic e.q. (bypassable),3 band e.q., Series/parallel effects loop,4 button footswitch.. ready for the stage. 2 channels.. clean and lead. Lots of gain available here. EL34 tubes, 3 12ax7's.. Boost,Edge and Bright switches (for BOTH channels)... literally a TON of tone shaping options and interface. This is a very professional,versatile piece of gear. 2 Eminence P-50 speakers. Tube reverb.
As far as bells and whistles go... I really do not know of anything more someone could ask of an analog tube combo... There are all these modeling combos that do loads of things... but this is the real deal. These are the tones they try to emulate.

Simple. Hmmm.. yes, and no. This is a combo amp... but you really do have a lot of different knobs you will need to turn to get where you want. The controls are extremely interactive.. to the point where you need to be careful in your adjustments, as you might be closer than you think, and over-adjust.. so...be careful!
Manual. Huh. I think it was a sheet of paper. It mentioned a presence control.. which this amp actually does NOT have. Yeah, the manual does not really help.
I give this a "7".. It is pretty complicated for a tube amp. Like I said.. lots of bells and whistles.

Sadly, I don't own this amp anymore.. But it DID suit my style... thinking about getting another one. Yes, I am a doofus regarding equipment. Should have kept it, but got rid of it on a whim. Lots of gain. Nice, barking modded Hiwatt tone.. somewhere between that and a Marshall. Used to run my Keeley TS9 in front of it. Nice searing harmonic ripping, screaming gain. Wow.It does have a real flamethrowing type characteristic when you run a Tubescreamer in front of it. And scoop out the mids on the graphic e.q. NOT a mesa tone.. or what you hear from every band out there on Clear channel radio stations. It is definitely it's own animal. Telling this story is starting to hurt.

The clean tone reminds me of Vox AC30 clean fatness.. not really a "Twin" type tone.. but it may have been the speakers as well... The P50's seemed to really have a mid heavy character to them. Still a very good tone.. very alive and breathy. Class A mode.. does not get squishy. It just seemed to get grainy.. Maybe I should have cranked it louder..
Used this with Les Pauls, Strats.. different guitars. It definitely notes the differences between every guitar.

The Flextone III Plus is a modeling amplifier delivering 75 watts of power. It has a single input, and as a bonus it sports stereo outputs to drive a larger (2x12 or 4x12) cabinet of your choice for extra volume and fullness.
Controls are typical of combo amps, gain, volume, 3 band EQ, "amp model" selector knob, and controls for the effects

Dialing in your desired tone on the Flextone is not that different than with any other combo amp, with the exception of having to select your amp "model" with a dedicated knob. Settings are easily changed on the fly by turning knobs, and you can store 4 settings with the use of push buttons, which comes in handy.

Its fun to play around with and is fairly user friendly, I never used the manual.

I played through this amp with a couple of Les Paul style guitars with humbuckers, which is what suits my indie rock to metal sound. I dig some of the clean sounds you can dial in on this amp, though some start to sound so similar they seem kind of redundant. Theres a good range of high gain amps modeled; the boogie, bogner, and soldano models rocked pretty hard. I was a bit worried about the speaker "whoomph" that I got when doing metal style palm-muting riffs, as the stock speaker just doesn't handle the low end while staying crisp. Thats something for heavy rockers to consider.

Another beef I have, although I can't really blame them- is that since this amp cannot AT ALL reproduce the sound of a tube amp cranked up into natural compression and gently breaking up. That magical area between "clean" and "distorted" where its just dirty enough to get some sustain but still has clarity and dynamics.... well this amp isn't capable of that. Who knows if modeling technology will ever replicate the beauty of power tubes breaking up.

The effects are pretty gorgeous sounding, considering its all just a computer chip and not analog circuitry. You will be impressed by the thick delays and the classic swoosh of the flanger. Nothing cheesy here.

This Orange Amp Crush 15 R is a solid state amp with 15 watts. It has an input for your instrument and an output for headphones. It has two channels - a clean one and a distortion one. It has adjustable equalization, a gain knob, a reverb knob, and an overall volume knob.

The set up is pretty basic, just plug your guitar in and let it rip. Its really easy to get both a nice clean and distorted sound, although I do wish that the reverb on it didn't color the sound as much as it does. I bought this amp used so I never had a manual, but really can't envision anyone needing one except for maybe some detailed technical issues.

I play mostly rhythm rock guitar and this definitely suits that. However, I use it strictly as a practice amp because it really isn't loud enough to play a show with. I use it with my Fender Stratocaster and it gets both a thick, heavy distortion for rhythm and a pretty nice lead sound as well. It also has a good sounding clean tone, it comes in crystal clear. I'm not a big fan of the reverb on the amp as for me it kind colors the sound in a negative way.